【山本耀司】清冷神秘的黑色系列！ (Yohji Yamamoto) 2018秋冬女装系列屋顶秧田工装

【山本耀司】清冷神秘的黑色系列！ (Yohji Yamamoto) 2018秋冬女装系列 The invitation signaled that this Yohji Yamamoto show would be especially meaningful. Beside a cropped female nude appeared “Hommage” followed by “1. M. Cubisme” and “2. Mon cher Azzedine” (the French spelling was used).The friendship between Yamamoto and Azzedine Ala€€a dates back to 1987, and a qu

The invitation signaled that this Yohji Yamamoto show would be especially meaningful. Beside a cropped female nude appeared “Hommage” followed by “1. M. Cubisme” and “2. Mon cher Azzedine” (the French spelling was used).

The friendship between Yamamoto and Azzedine Ala€€a dates back to 1987, and a quick 临沂工作服绣字
online search yields a photo of them together from 1990€€both still in their 40s yet already well established. Whatever ostensible difference in vision, these two fashion legends were and remain overwhelmingly alike: the obsessional rigor of construction, no matter the outcome; the dogmatic devotion to black (in design and in dress); elusiveness to all but their inner circle; a fantastic rejection of trends amid a steady embrace of business; a mischievous twinkle in the eye that anyone who’s had the great privilege to meet them could confirm. Backstage, when Yamamoto mentioned “shock” and “loss” upon learning of Ala€€a’s death in November, it was clear that words wouldn’t come anywhere near expressing his feelings with the same sincerity that a collection could.

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